Modernist Style in Joseph Conrads Heart of Darkness :: Heart Darkness essays

Modernists Experiments in Heart of Darkness   In Joseph Conrads Heart of Darkness, a chaotic form of writing takes place which is characteristic of the Modernists experiments in their style of literary productions of stream-of-consciousness.  Written before WWI took place, he spoke of a different type of chaos and uncertainty present in the world at this time the turn of slavery.       Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was appargonnt of colonization.  The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the ref have to interpret for themselves what they thought the writer meant.  Conrad experiments with this style, leaving some sentences without ending not a sentimental pretense but an ideasomething you can do upand offer a sacrifice to. (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone.  Conrad skips about from talk of the two women knitted black wool feverishly at the gate of the city (of hell), to his aunt which he feels women are out of touch with truth, to how the British are as weak-eyed devil(s) of a rapacious and pitiless folly (Conrad, Longman pp. 2198, 2199, & 2202).  Conrads mind moves about as ours do along a large duration of literary monologue to convey to the reader the authors ideas, as interpreted by the reader.       Conrads narrative frame also continues his experimentation with literary form in Modernist style.  Two start monologues are present throughout Heart of Darkness.  The first part starts out with an unnamed narrator aboard the ship Nelly, describing to himself, as well as to the reader, those aboard the ship, particularly Marlow.  At first, the narrator is not known for sure to be a character aboard the ship until a few paragraphs later come u pon him as a person observing the others-Between us there was, as I have already said, (Conrad, Longman p.